新建筑

北京留云草堂 – 许宏泉工作室 / 普罗建筑

投稿平台:建筑图网 稿件时间:2017-02-26 欢迎原创投稿至: file@jianzhutu.com

非常感谢 普罗建筑 将以下内容授权建筑大数据发行。更多关于他们:officePROJECT on 建筑大数据. Appreciation...


非常感谢 普罗建筑 将以下内容授权建筑大数据发行。更多关于他们:officePROJECT on 建筑大数据. Appreciation towards officePROJECT for providing the following description:
许宏泉老师是位画家,也是个既会书法,又会写书,又擅长文学评论的文人。在今年夏天许老师经人介绍找到我们,给他做这个怀柔桥附近的厂房改造。改造成他的工作室,也是他未来的家:留云草堂。
Doctor XU Hongquan is painter, and a literati who is good at writing books, calligraphy, literary review as well. Mr. Xu found us through friends this summer, to make this reconstruction of the old factory building, which will be used as his studio and home in future: Hall within the Cloud.
▽ 建筑的夜,Night External View
北京留云草堂 – 许宏泉工作室 / 普罗建筑
通过和许老师的交谈,我们明晰了工作室的基本功能,无非就是工作室,茶室,卧室,书房等典型的艺术家工作室的配置。基地也是典型的条状坡屋顶砖砌厂房,之前作为工厂办公楼使用。厂房高度约6米,屋顶为三角形钢桁架结构,整体保存状况良好。对于我们来说,项目的特别之处在于,许老师是同时受过东西方教育熏陶的文人,他既在大学里和年轻的孩子们一起搞艺术评论,美术史研究。又先后师从罗积叶、黄叶村、石谷风先生研习书画和美术史。所以他不是一个“传统”的画家,因为他不仅仅画画,他的文名甚至会盖过画名。但他骨子里又是个传统文人,默默坚守着中国传统文化里的文人气质和精神世界的生活。
Through conversation with Mr. Xu, we clarify the basic function of the studio, which is studio, tea room, bedroom, study room, etc. The typical configuration of an artistic studio. The site is also a typical linear brick factory with slope roof, which was used as factory office before. The height of the building is about six meters, with the triangular steel roof truss structure, overall keep in good condition. For us, what unique about the project is, Mr. Xu is trained in eastern and western education at the same time, he is taking art comments and art history research in college together with young students,. And also had successively studied from Lou Jiye, Huang Yecun, Shi Gufeng about calligraphy, painting and art history. So he is not a "traditional" painter, because he is not only drawing, His literary achievements is even above drawing. However, he is also a traditional literati, who keeps lifestyle in spirit of Chinese traditional culture.
▽ 建筑空间结构,The Spatial Structure
北京留云草堂 – 许宏泉工作室 / 普罗建筑
▽ 建筑入口,Foyer
北京留云草堂 – 许宏泉工作室 / 普罗建筑 北京留云草堂 – 许宏泉工作室 / 普罗建筑
▽ 入口空间、展厅与画室,Foyer, Exhibition Area and Painting Area
北京留云草堂 – 许宏泉工作室 / 普罗建筑
▽许老师在作画,Mr. Xu is painting
北京留云草堂 – 许宏泉工作室 / 普罗建筑
我们发现他在功能的需求上,点明了需要一个油画室,还需要一个国画室。两个分开的不同氛围和场景的画室。我们在这份独特的任务要求中,找到了我们的切入点:透视,这个典型的东西方绘画最大的不同点之处。
We find his demand on functions for an oil painting room, and a traditional painting room as well. Two separate studios with different atmosphere and scenario. In this unique mission requirement, we find our entry point: Perspective, the biggest difference between east and west painter art.
▽ 工作室全景,The Painting Area
北京留云草堂 – 许宏泉工作室 / 普罗建筑
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北京留云草堂 – 许宏泉工作室 / 普罗建筑 北京留云草堂 – 许宏泉工作室 / 普罗建筑
顺着这个透视的线索,我们设计了一种嵌套式的生活场景。通过一系列心理分析。我们提出了一个艺术家的心理空间图示。在这个图示中,我们将人最基本的睡眠,饮食等生理需要放在中心位置,中间一层为会客,展示等社交需要,最外面一层为画家最重要内心的艺术追求与需求。如果将这个心理空间关系直接投射到建筑空间的布局上,我们可以创造出一个嵌套递进的空间结构。通过房间角部的出口,人们从一个房间进入另一个房间,通过每个角部的开口,形成一条贯穿建筑的视觉通廊。因为这种嵌套式的平面布局,每一层的空间都包裹着另一层,到达一层空间需要穿越另一层空间,它们当中发生的事情都被另一层影响和观看,也同时彻底消灭了走廊的概念。
Follow this perspective clue, we designed a nested life scenario. Through a series of psychological analysis. We propose an artist's psychological space diagram. In this chart, we put sleep, diet and other most basic physical need in center position, reception, exhibition these social needs in the middle layer, the outermost layer as the painter's most important art pursuit and demand. If the psychological space relationship directly projected on the layout of architectural space, we can just create a nested progressive space structure. Through the corner of room export, people enter from one room to another, through the open of every corner, form a visual corridors through buildings. Because this kind of nested layout, space of each layer are wrapped in another layer, reach one layer space needs get through another one, Space events in each layer are affected and watched by another layer, this is also thoroughly eliminated the element of the corridor.
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